According to Aristotle, tragedy should maintain excellent inside the Unity Act three: The first rul

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A man leaves his work in the evening and got into his car. The night before the most important days of his career he announces be absent from work tomorrow, and calls his wife to tell her that will not come home tonight. He drives a place that does not know, and all the way through you on the phone with his relatives, and another woman was in the hospital, he was on his way to it. When he reaches his destination, he would lose his job, his wife and his home.
The film "Luke" (LOCKE) shows a dramatic story about a single character driving a car and talking hands-free kit: This is the story of Ivan Luke (Tom Hardy), an English building inspector. His work requires him supreme responsibility and thoroughness, you since it must limit the every little you detail. If foundry work will not be done perfectly created a crack in the concrete, and the crack is the danger of collapse. Not only his work meant to him: he makes sure his family and their needs, and perform you his duties with dedication and love. He is balanced, responsible, mindful of each individual; Even in situations of unexpected problems it finds an alternative action plan.
But even the most prudent person can not escape the cracks of life: As a moment of poor judgment a few months earlier, his life was about to dinner. Throughout the film has Luke calls: a conversation with his wife, in which he explains you to her that he would be late tonight and why; With New disappointed in not join them to watch a football game is important; Donal, young building inspector should replace it frightened tomorrow in one of the largest concrete cast made in Europe; And another woman, frightened, painful and beloved, the reason for all the cracks opened up in his life.
In the ordinary world of epic and grandiose films, presents "Luke" (whose script he wrote and directed Steven Knight), a masterpiece of precision and restraint. Directing that redefines the boundaries of minimalism remind us of the movie Knight and his game Mufti of Tom Hardy that the most important element of the film is a huge production, but a good story. The viewer can not take his eyes from the man practice, because his journey in his life - and destruction - it fascinating, you and at hand are much more specific story. This is a tragedy of one man, you can not judge him because it raises profound solidarity, and must judge him precisely because you human mistakes he does so. "Luke" not only interesting but also excellent film a modern tragedy, one to one built on the foundations of classical Greek tragedy.
According to Aristotle, tragedy should maintain excellent inside the Unity Act three: The first rule is a unity of time - limited measures of Greek tragedy was not possible to create a hopping time prologue or epilogue deviate much time creating. The tragedy has to occur in a short time, very limited, the continuation you of his more than twenty-four hours. The second law is some place - the story takes place entirely in the same place, usually the king's palace. Events that take place outside do not appear on stage, as the Greek Theatre can not gross transitions between different settings. As a result, important events offstage do not appear in it directly, but told by a messenger to the king and reported what had happened. The third law is the unity of action. Greek play is characterized by a structured plot, which is not sliding sub-stories and multiple twists. The tragedy tells the story of weights follow his story, starting with a single point (a peaceful life) and ends in another (catastrophe).
Modern works, has "Luke" these principles: a most unusual film, the duration of the movie is also the length of the actual occurrence. Ivan hero Luke aware that, because every few minutes is busy calming the woman he was on his way to her, explain to her that the way from London to the hospital takes an hour and a half, and the current state of the roads it is not difficult to reach.
This time, corresponding to almost the length of the film, the film breaks the convention of infinite time. The overlap is created between you the length of the film for the actual occurrence raises enormous tension in the viewer, which created the illusion that he does not expect in a cinematographic work, but in real life of a person. Since the beginning trying to come up with a cure Houla movie time: it accelerates time "boring" and slows time compressed and loaded. "Luke" eliminating the perception that there is a time that can shrink or expand, because life time - and the end of the film misses Luke one of the most important experiences in his life, the experience which it travels you - this time is life itself.
Small car space meets the few place - a long night's journey complex you human tragedy occurs, which many people experience. Any regular movie was wandering story from Luke who drives to the faces of those around him. But the drama is heard only the voices of the actors, talking with Luke; The film shows only his face. This is one person's tragedy, and the tragedy it represents the catastrophe in the lives of many others.
The third law is a unity that exists in the movie plot. Here's greatness is evident writer-director, who could fall into the temptation to gaps in the plot. Sustaining work space so limited time, the temptation to show the reasons, the psychological factors, the relationships and the consequences of the election of Luke about his life and the lives of his family. But Nate's film shows the dilemma of Greek tragedy, in which a person standing in front of the law of the gods and fate, and the dilemma of modern cinema, which deals with the person in front of the shock of the world. Like a Greek tragedy, emphasizing the distinctive specific human space that has tremendous meaning for the suffering of human life, stands alone in Luke; Only his face, only his voice and his terrible dilemma, leading it to its destruction. you
Ivan Luke is a tragic hero. Greek tragedy rebel terrorist hero