A man entered the car at night. We do not know anything about him at this point. He starts the car

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Since his debut at the Venice Biennale in 2013, through three nominations British Independent Film Awards (and winning screenplay), to the praise Tom Hardy on the appearance of his solo - me "Locke" (Locke) was easily one of the films intriguing tubemate and buoys of 2014. I tried not to know more too much information about the film before watching it, and all that floats in my mind were the nocturnal journey and his bearded face of British actor, tubemate who has already proven its strength in "Bronson", "Start", "Soldier" and "The Dark Knight Rises." And now, "Luke" comes to our movie screens and is about the real test.
The film's marketing tubemate work, the trailer and the general atmosphere, a picture emerges in the center of this British film is thriller. This is a serious mistake that could frustrate more than a few viewers. So first of all it is important to note Luke "is an intimate drama tells the story of one man and coping with difficulties experienced strange situation. Many good things can be said about him, and they even say later in the review (plus reservations, of course) but "stretches" is probably the last word to bring against him. That does not mean he is not intriguing, tubemate interesting, brave, or another word will look for, is just not here to put you on the edge of the chair. Is here to settle your mind and heart.
A man entered the car at night. We do not know anything about him at this point. He starts the car and drives off into the darkness. Within 80 minutes and quite a few phone calls, everything will become clear, and we get to know this guy better than what we know best how many of our members. Take the opening scene, the man in the car named Ivan Luke, not out of it, do not collect hitchhikers, not just run over a pedestrian, do not get involved with mobsters and not run away from the police. He just act, and we with him.
Nevertheless, tubemate "Luke" is not art-house drama such as "Ten" by Abbas Kiarostami or movie genre such as "Buried" with Ryan Reynolds. It is also based talk and therefore does not have the privilege of "all is lost" or "wall", for example. Yes, of course the question is, why bother at all there is a need ourselves to the cinema for that? Is It might be better to hear this podcast tubemate or radio program? What is the need of the medium tubemate of film this time? Two answers tubemate to these questions, and both are difficult to challenge. These two answers forced "Luke" to be a movie, and create a great viewing experience and successful movie regardless. tubemate
The first is, of course, Tom Hardy. The player, who this month reached the age of 37 years, took on the difficult task of Swipe your time and twenty on his shoulders. And some of it comes out a winner. Close-up is the first thing to upgrade tubemate the "Luke" and turns it into a cinematic work excels. Tom Hardy spends tubemate the film in his chair so that movement is not really the lot in the movie, and we know how significant body language tubemate of Tom Hardy (especially in the movies mentioned above, which you can also add the "dry land"), just like the sound of his deep and addictive. tubemate But his eyes are his main pieces in the film, and he uses at any given time to convey the sense of distress and confinement tubemate where he was. Look at any moment in the movie had to deal with something new, with a problem or crisis, is zigzagging tubemate between them with only his eyes and his voice, and it's hard to describe how it is fascinating. Hardy is a good reason to watch this movie, and it's hard to think of many other players who could do it.
And yet, "Luke" not only relies on Hardy. Steven tubemate Knight, this is his second film after the famous screenwriter tubemate ("Eastern Promises," directed by David Cronenberg, and Dirty Pretty Things "was nominated for an Oscar, among others) went somewhere against immediate instinct of such films, and refused to stick around just for a moment. I'm not sure what is the longest whip 'Luke', but I do not believe that it takes over more than a few short seconds. The film is cut all the time, constantly on the move, going through Hardy's face, to the point of view, to the side mirror, shiny door to the mobile screen, and so on. There is no static moment of the film.
At first it was a bit difficult with the choice, and it brought me back to my reservations Danny Boyle's film "127 Hours", also is the story of one character locked in place, and he momentarily stops moving, jumping, going to zap and roll. Boyle's choice, tubemate which eventually gave him nominations for editing, actor (James Franco), screenplay and film among other things, made it difficult for me very much because I felt she did not correct