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Recent decades have seen the public interest in the hunger artist down considerably. Where once it was worth it to organize large representation in a personal setting stage, it has become quite impossible. There were other times. Formerly, blake lively all the city was occupied by the artist from hunger; interest was increasing day by day hunger hunger; everyone wanted to see the hunger blake lively artist at least once a day; the last days, there were customers who would sit all day in front of the small wire cage; the night as there were tours, torchlight to increase the effect; On sunny days, walking out the cage open, and it was specifically for children that showed the artist from hunger; whereas for adults it was often a fun which they were involved because it was fashionable, children, amazed, speechless, holding his hand to feel safe, looked artist Hunger: he was pale, wearing blake lively a black knit where his ribs stood out very clearly, did not even want the chair he had been put, preferring blake lively to sit on straw scattered on the floor, was a polite sign of head, answering questions with a forced smile, also held out his arm through the bars so that we can touch his thinness, blake lively then plunged itself completely, not occupied more than one, not even an hour that sounded so important for him, to the clock, which was the only furniture in the cage, looked at his eyes almost closed lips dipping occasionally into a tiny glass of water to moisten. Read more on reading light
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Hi Lucien Suel, poet standing
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